Gonzalo Uriarte, born in A Coruña in 1952, is an actor from Galicia who practices his profession since 1978 in the theater and, since 1985, also in film and on TV. She has also worked as a voice actor in numerous films and television series. Is a co - founder of the company theater "Troulos" in the difficult early days of professional theater in Galicia. He was awarded the Maria Casares 1997 for best lead actor for the interpretation of the character in the play August Strindberg A noite das tribadism , under the direction of Lake Xulio, best supporting actor for the role of Horatio in Hamlet show and Agapi Award 1998 for best male performance for his work on the film A lingua das Bolboreta Joseph L. Rope. My first contact with the theater was seven years in the work Don Mendo's revenge Pedro Muñoz Seca, an amateur theater company called La Coruña Farándula where my father worked. I left the page with a cushion, I sat next to the chair of the King and there was the time I was told I had to be.
How did you get into theater?
The Marist College of A Coruña, when he was 16, with a partner and friend who is still in the middle, Antonio Simon (Current Galician theater director) decided to mount an amateur group called: Aspasia New Humanist . Dramatic texts they produced could be included in what is called Theatre of the Absurd.
Where we work?
We acted in local parishes. At that time, representations were for small circles and had little impact. We arrived to try to represent A voda two small bourgeois B. Brecht.
And then?
Then when we got to college divide the group into two parts: the section that was in A Coruna Antonio Simon ran it and the section came to Santiago, Juan A. Les Hernández (currently a professor at the School of Communication of the Galician capital.) I remember we set up a concert Felipe León's poems with which we were to act to Lugo. The press echoed a group of Dukes of A Coruña.
In 70 receives the award for best actor in a drama college for the work of Italo BURULAN Ricardi Franco flat. What did it mean?
I have no memory of it was something special. It was a character on stage left in a sack and had another individual, Paco Puga, who was giving me the ax. I left in the bag and the man reproached him everything I was doing. At the very end, when this sadistic oppressor had with the character of the bag, appeared a doll hanging from a rope, a sort of scarecrow. I remember the trip we made to Valladolid, picking up luggage and go with the straw doll with us in the department of the train. We call Follardo. It was funny but unprofessional.
How was the theater company "Troulos?
The idea of \u200b\u200bforming "Troulos" began in the summer of '77 but we can not release until June 78. This means that it was a project that was about to go to hell. My colleagues returned to Madrid to try to form professional theater companies but use Galician as a communication vehicle. That's when the idea to mount "Troulos.
What did become "Troulos" in those years?
I get into the madness of "Troulos" because it was still crazy, with no guarantee professional. How nothing can become a professional actor in a country such as Galicia, which was spineless in that time. It was quite risky.
When is it possible to live theater?
is essential to the formation of the autonomous State which is a small contribution of resources. Drama Center is created and subsequently Gallego, in the year 85, the TVG. Then, all these elements are those that begin to allow a person who wanted to be an actor here does not go to Madrid.
How would you define the political theater performed in Galicia? We still have plenty
deficiencies because they do not comply with the requirements of the profession or the public. Currently, in Galicia are released about 50 stage shows in Galicia, an outrage. Then, there is a policy that favors the emergence and maintenance of small cores of production. History is a bit of bread for everyone. I think it would be better to spend the money to enhance the more established production centers and that somehow enable them to do shows más ambiciosos. Había menos núcleos pero mejores.
Entre numerosos premios, fuiste galardonado con el Premio María Casares (2007) al mejor actor secundario por la interpretación del personaje de Horacio en el espectáculo Hamlet . ¿Por qué crees que tuvo éxito esta obra?
A la elección del texto, a la presentación muy inteligente en los medios de comunicación y a la elección de un reparto de actores conocidos como Luís Tosar, Miguel Pernas… En mi vida estuve en una gira tan bien organizada. En el espacio de dos meses y medio se hicieron alrededor de treinta y tantas funciones a teatro lleno en todas ellas. Algo very difficult. And with a fantastic audience reactions.
Gonzalo Uriarte in the role of Horace along with Hamlet, played by Luis Tosar. Career
In the last twenty years has worked, among others, the following theatrical productions: in O wake and Anastas, ou da Orixe constitution, with company "Troulos" in Woyzeck the Drama Centre Gallego, O sick imaxinario , As three Irmãs , A refaixo for Celestina, Local , Swindling Rooster , Caligula, Abrente Him, etc.., With the company's Atlantic Theater "in not cry, Crazy Love , Dollhouse , Tribes of the night, Love D. Perlimplín with Belisa in the garden, Vanzetti, etc. Saxo Tenor with "Theatre Three," Medea with "products from Northwestern and The elderly should not fall in love with " Theatre of the Bat " . You're popular participation by su in the TV series of Galicia as " Combined Dishes," "Great Family ", "Galicia Expres", "Avenue. of America, "" Baywatch, "" The laws of Celavella "as well as in other" Hospital Central "," He commissioner. " In cinema he stands su participation in such films as The language of butterflies ( Jose Luis Cuerda , 1997) O lapis do Carpinteiro ( Reixa Anton, 2003), Thirteen badaladas ( Xavier Villaverde , 2002 ), and a small contribution in there Pan's Labyrinth (Guillermo del Toro , 2003). His last film van Os Mortos to prey (Ángel de la Cruz, 2009).
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